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Tucumcari, New Mexico and Other Songs

by Billy Wallace and the Virginia Blues

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1.
I’ve lost my taste for war, I won’t study it anymore I have lost my taste for war If the river dries up, you know we’ll find somewhere else Where the waters flow We will rise up and lay our burdens down There’s a golden ratio I feel the need to know There’s a golden ratio If the river rises, this old boat is gonna do it’s best To keep us afloat We will rise up and watch our burdens as they drown In my sleep she’s still my lover In my sleep I don’t make mistakes In her sleep, she is waking up And her hair has turned to grey When the river levels out, you know I’m gonna be on the banks, I’ll be watching it roll As I bury my burdens there in the tender ground
2.
I can’t dodge many more bullets, so I guess I’ll unload my guns We can beat them into plowshares; plant a garden to share With everyone we love, and though I love I love you I understand your need to run I have worn those shoes, just leave your key in the door when you go Time slowed down and then stood still when I was on that red-eyed flight I needed all of what you had to bring me down from my jetlagged high You said the hangovers can be brutal and, baby, you were right I got lost amidst apocalyptic billboards, wind farms, and women Who wanted their lovers with the spirit of the high desert All painted petrified and pure as gold But now all I want is to keep some of my secrets safe with you It makes me feel quite sure I never will grow old And that’s a good thing, babe, I just want you to know I know I’ve paid my money down, but I can break that fucking lease because I don’t need California the way I need you next to me And I’ll bury my hatchet in Virginia if that’s where you long to be But if you need to go alone, that’s ok, just tell me so There’s something wicked in this town and I hate seeing your soul conform I’m worn out on roughshod east coast winters, but I love keeping you warm And giving you the deepest cover whenever you feel like it’s gonna storm I know you were there for me when I was out of my damn mind When I felt the need to map some things and find myself in desert springs But I totaled my car in Tucumcari, New Mexico And in the moment between the brights and blood, I swear a voice said “Boy, get home. Quit being hard. Stop trying to grow old.” And I dreamt of you as I slept on the side of the road It was a good dream, babe, I just want you to know We’ve got a good thing, babe, I just want you to know
3.
Noel's Blues 02:49
There’s a sweet Virginia dogwood growing up in Brooklyn town Oh, my sweet Virginia dogwood, her roots are set in Brooklyn town And I’ve gotta get back and see her before the city chops her down She fancies herself a poet and I tell her all the time she’s right Oh, she fancies herself a poet and you ought to read those words that she writes But, goddammit, she’s a poet and all the poets have lost their minds Noel, I know we ain’t lovers but there are sometimes I think we ought to be Oh, Noel, I know we ain’t lovers but there’s something there and I think we ought to be For if you could keep my heart honest then I believe you just might find some cover under me So tonight we’re making plans to get as high as the rent she pays Oh, tonight we’re making plans and we’re gonna get as high as the rent she pays We’re gonna keep each other up all night; whatever it takes to keep those wicked blues away
4.
We’re lost in the smoke and the glow of the barroom filled with people thinking they’re in love They’re all strangers claiming to be looking for truth when all they want is to live out their fictions Because the truth is their truth ain’t worth that much So when you climb up on that stage tonight I want to hear that drunkard’s gospel soft and sweet The irony ain’t lost on me when you’re singing those songs about Jesus Baby, I know we ain’t playing for keeps So one more time tonight I wanna see you get up on that stage I wanna get happy off of wine and the mandolin The irony ain’t lost on me when you’re singing your songs about Jesus And all it does, baby, is make me wanna sin with you In the smoke and the glow of the barroom Oh my god! I think that I am in love With some stranger claiming to be looking for truth when all I want is to live out my fiction Because the truth is my truth ain’t worth a fuck
5.
O! Be Joyful 03:40
For years you’ve been my blackbird You’ve always taken wing over me But now I hear you screaming in your sleep and I can’t tell what the hell it means You say we’re growing fatter like the pigeons in the alley everyday Annoying strangers at the bar with our desperate repartee You say the winter’s full of poison and you’ve run out of reasons to stay But if you load that gun or walk down that road I swear I’ll open your grave and I will desecrate your bones That ain’t no way to leave me here, so cold and alone That’s a fucking way to leave me You know I can’t live here alone I know that we have tied some knots before and I know I ain’t the one to lead you true But like it or not, darling, you’re gonna heal and I’m gonna stick around until you do We’re get a hotel somewhere warmer and overtip the valets Empty bottles O! Be Joyful and overflowed ashtrays We’ll pull the poison from the winter, babe, and set it free So don’t you whisper to me about how bleak it seems or the length of rope it takes to reach the attic ceiling beams You may be a lesser light to some but you shine like the sun to me A lesser light to some but you’re the sun to me So don’t you mention no names or the bursting of seams or the length of rope it takes to reach the attic ceiling beams You may be a lesser light to some but you shine just like the sun to me A lesser light to some but you’re the sunlight to me
6.
Amy, Amy, you waited like a fool and blamed me, baby, for being bolted to a barstool You say it’s a shame but me, I believe we never had the tools and I believe I’ve fallen out of love with you Don’t you know? Sweet Amy Lynn, that was long ago And though you look like the Mayday Queen an old cigarette ad in a magazine I believe I’ve fallen out of love with you
7.
Dear Lynn! 03:33
Dear Lynn, Sometimes I am afraid that I’m no good anymore that I’m soiled like those sheets we stained and the marks we left upon the floor After hours in that bookstore when we were lying as low as we could as our love grew more than anyone could stand I’ve still got pictures of the old shop looking at me from the wall and sometimes those back rooms haunt my mind; you were my closest call We were surrounded by a choir that sang gossip as their tune We were all the news that mountain town could stand When we would hide away as thick as thieves and find a place to lay you down To this day I ain’t sure how we never burned that fucker to the ground as I died and was reborn inside of you You were full of life and wonder when I fled from Roanoke and you hopped a train looking for pieces to the hearts that we broke and though your postcards from the Badlands proclaimed our love as truth the ones from the Redwoods said the wheels fell off Yet they were stacked up in my mailbox chronologically reversed and when I read them out of order it was like some gypsy curse that resurrected up our love inside my head On your side it was dead and blue and cradled in the cold, cold ground Now I’m waiting gently and I’m looking out for my Marie You know her lease is up this summer and if she moves north to the city then I swear to god I’ll do my best, I will treat her like a queen Just like the way I hope your new man looks out for you We’re gonna get high every evening and we’re gonna make love everyday and I plan to be a better man no matter what the choirs say about the love that you and I lived through
8.
So this is what you must have meant by homesick I always thought that idea was fool’s gold But now summer is blooming back in the ghetto and I wanna be there and I wanna watch it unfold I ain’t much in the mood for reunions because, baby, we’re not the same folks we’ve been I will not waste the time to resurrect gods I’ve crucified just to spit in their face with my sins But I found a picture of me dancing on a rooftop so slow with a girl I swear I’ve never seen and now I still ain’t convince that I can’t find an end to justify my wicked means Do you remember the last time you loved me? It was Bloomsday of two years ago When you said, I will be your sweet Molly Tweedy if you be Henry Flowers and I’ll watch you grow But I will cut you down when it’s all over You see, I have other suitors to tend to But know I took your mundane and I turned it to epic so be grateful I made time for you and I am Tennessee, you’re now forgiven for those men that you sent after me because right now 12th St. feels just like heaven The ghetto has washed me cleaned and I can’t stay angry There’s no way I’ll be lonesome this evening even though I’ve been desperate for such a long while because my woman’s right there I’ve got money to spare and ‘round here the bars spread out for miles
9.
Won’t you come back home to me? that gentle lover said We can stay in for two nights, we never even have to leave the bed For I know your back is weary, I know that troubles haunt your head But learn to let it go And she said I will help you rename your pain and I will teach your ballast how to softly sit She said an anchor is meant to keep you steady, not to drag you down with it And though your tongue says it’s all copesetic, I look in your eyes and they say you’re full of shit So learn to let it go And don’t fight against the tangles but sit still and take heart For we have seen the light, my love, we ain’t allowed to choose the dark anymore Sometimes time is a disease and it’s untreatable and it’s tragic oh, but our bodies are vessels of the purest wild magic And I know that they hold the cure if we can just tune out the static and learn to let it go And not fight against the tangles but sit still and take heart For we have seen the light, my love, we ain’t allowed to choose the dark or to kick against those tangles but be still and take heart For once you’ve seen the light, my love, I don’t believe you are allowed to choose the dark anymore
10.
There’s a proper mix that can mend our souls It’s our golden ratio Though it broke us down to leave that town I know now why we had to go My belly is filled to the brim with apologies I owe to you and, love, you must know if you come back home Baby, I’ll teach you the blues You snuck into my head and my dresser drawer Found a rolled up dollar bill there You said, that sure is a funny way to store up your money and a funny way to show that you care I’ve let you down as a lover, dear We both know that much is true Though my redemption lies in your contented sighs Baby, I’ll teach you the blues Learning to be a stronger man Darling, that was my prize When I first fled from our mountain bed and found the city’s lights in her eyes But learning to be a stronger man Lord, it ain’t what I was cut out to do and if you decide to fight that good fight Baby, I’ll teach you the blues My belly is filled up to the brim with apologies I owe to you Love, you must know if you let me come home Baby, I’ll teach you the blues
11.
When you were young the sun was the father The sphere was the son The intervening space was the holiest of ghosts You had your formulas all figured and your love on your arm You had three days of sunshine with three more to follow You got old and measured shadows and talked to the walls You paid your rent by reading soldiers their horoscopes If I’m to die in battle, Johnny, leave that part out Tell me three days of sunshine with three more to follow Johnny, our love is motion and it’s as big as the sky Though the math might take a little while to get right I will meet you by and by So, Johnny, wake up and tell me about those harmonies you found Good lord, I’ve gotta know Why we’ve got three days of sunshine with three more to follow
12.
Sweetheart, can you tell me what I need to know about the mechanics of time or when it’s time to go For our bodies are watches, but our watches run slow We are builders, we are looking for the golden ratio So long, Cincinnati; it’s been something else You did your damndest to catch me every time that I fell and I know I’ve been ungrateful, I know that I’ve given you hell but though I was born by your river, I will not die in your well Good morning, Virginia; won’t you let me turn on your lights We always moved in the darkness and held our sins tight I know we’ve had our problems but I didn’t come here to pick a fight I get that I can’t keep you, but I can I just stay the night? I know you’ve got your reasons for treating me this way but it’s my god-given right to go a little bit insane If you let me back in, I swear I’ll stay down below and find a quiet place to work on the golden ratio I’m a builder and I’m looking for the golden ratio I’m going back to the city to find my Margaret and find my man We’ll let him peddle his wares and buy all we can then we’ll fall asleep laughing with our hearts in our hands Tell all my friends that I ain’t coming home because the word has changed so often that now the meaning is gone and though Tennesse is lovely and though I miss Florida’s songs I ain’t feeling clear so to stay would be wrong No, my heart ain’t clear so to stay would be wrong

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NEW RECORD COMING OUT ON MIND OVER MATTER RECORDS! www.mindovermatterrecords.com

credits

released November 20, 2012

The Players:

Billy Wallace - vocals, guitar, piano, organ, harmonica, accordion
Matt Hemingway - guitar, bass, drums
Jon Weidenbacher - guitar, vocals
Mike Saylor - bass
Alexandra Frederick - vocals
Tim Colina - drums
Matt Mitchell - trumpet, flugelhorn
Jasmine Poole - banjo, vocals
Will Dueese - acoustic bass
Shannon Anderson Lewis - vocals
Additional gang vocals - Brenna Rondeau, Brian Dees, Paul Schroeder

All lyrics written by Billy Wallace except for “A Love Song for Johannes Kepler”, written by Billy Wallace and Britney Scott.

This record was recorded by Billy Wallace and the Virginia Blues in a bunch of different places in Cincinnati, OH and Covington, KY. It was mastered by Mike Montgomery at Candyland Studios in Cincinnati, OH.

The cover art was designed by Brian Dees.

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